Neapolitan Pasta and Beans

Pasta e fagioli is Italian soul food. This quintessential peasant dish has an endless number of regional, local, and individual variations, each fiercely defended by its partisans as the absolute best. Those of us not invested in a particular version have the pleasure of enjoying them all.

When Tom and I did our first cookbook, La Tavola Italiana, we took advantage of that abundance and developed three pasta e fagioli recipes of our own, one each in the styles we’d had in northern, central, and southern Italy:

• Venetian: fresh egg pasta, pinto beans, and a big pork bone
• Roman: short tubular pasta, white beans, tomato sauce, and pork skin
• Neapolitan: mixed short pasta shapes, red beans, fresh tomatoes, no meat

This week I made a modest quantity of the southern version’s recipe for us two. Overnight, I soaked four ounces of Rio Zape beans, a very tasty heirloom variety that I buy online from Rancho Gordo.
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Next day I drained them, added 1½ cups of fresh water, and set them on to simmer while I peeled, seeded, and chopped 2 big plum tomatoes, peeled and halved a garlic clove, chose a tiny dried hot red pepper, and measured out ¼ teaspoon of dried oregano.
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I sautéed those ingredients in olive oil, with salt and black pepper, for ten minutes
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then stirred the seasonings into the bean pot and let it go on simmering until the beans were tender. They took only about an hour, indicating that they were a very fresh batch. They also produced a rich, meaty aroma, for all that there wasn’t a speck of meat in with them. Off heat, the pot sat at the back of the stove all afternoon. (No point showing you a picture of that: the beans were all sunken under the liquid.)

As dinner time approached, I brought the pot to a boil and stirred in four ounces of miscela pasta – short pieces of many different shapes of dried pasta. In the old days, Neapolitan families kept all their broken and leftover bits of pasta – the miscela – for just these purposes. Nowadays we can buy such a mix.
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Slowly, the pasta pieces absorbed the liquid, swelled up, and began rising to visibility.
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This part of the cooking always needs frequent stirring, because beans and pasta both tend to stick to the bottom of the pot as the liquid is absorbed. In this case they also needed a little additional hot water to keep the sauce from over-thickening. You can make the dish as moist or dry as you choose: Tom likes it soupier than I do, so we negotiate the difference each time.
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Once the pasta is done, the pot needs to sit off heat, covered, for five minutes before serving. Then, at table, diners complete the dish to their taste with olive oil, salt, crushed red pepper, and grated pecorino Romano cheese.
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If you’ve never tasted it, you’ll hardly believe how rich and luscious a concoction these humble ingredients make. In Tom’s Neapolitan family, his father’s generation – 16 siblings – grew up on past’e fagiol’ and revered it all their lives.

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An Italian Summer Dinner from TSOTIK

Planning for a casual dinner party last week, I turned to the summer section of TSOTIK (rhymes with exotic), our family name for Tom’s and my book The Seasons of the Italian Kitchen. There I found recipes for several perfect-for-hot-weather dishes that I hadn’t made in a long time, so I built the evening’s menu around them.

 

Insalata Caprese – Zucchini a Scapece

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Insalata caprese hardly needs a recipe at all: just pair the best available mozzarella with the best available tomatoes, and offer salt, pepper, and olive oil for diners to dress their own portions. The great white puffball you see above is a very fresh 1½-pound buffalo milk mozzarella, and the red cartwheels around it are local heirloom tomatoes. The combination is always wonderful.

Zucchini a scapece is a classic Neapolitan antipasto that I’ve written about before. For it I lightly floured rounds of zucchini, fried them in olive oil, and marinated them overnight in a simmered mixture of vinegar, water, garlic, and chopped mint leaves. The dish is best when made, as here, with the costata romanesco variety of zucchini, the prince of the summer squash family.

 

Fettuccine all’Abruzzese

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If you think this bowl of pasta looks as if there’s barely any sauce on it, you’re right. There isn’t much. But this simple peasant dish always surprises people by how unexpectedly delicious it is. The sauce is just a sauté of finely chopped pancetta and onion; chopped basil and parsley, salt, and pepper; with a little broth stirred in and nearly evaporated. The fettuccine – homemade, and rolled very thin: that’s essential – are tossed first with grated pecorino cheese and then with the sauce. The pasta readily absorbs the sauce, and the diners just as readily absorb the pasta.

 

Abbacchio in Umido – Ciambotta

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For the book I translated this meat recipe as “Summertime Lamb Stew” because, in Italian, in umido means stew, but there are no substantial vegetables in it, as there are in most cold-weather stews. It’s simply chunks of boneless lamb shoulder braised in tomato sauce, with seasonings of chopped pancetta, onion, carrot, celery, parsley, and marjoram. Unfortunately, it’s hard to get really young lamb these days, so the dish can take much longer to cook than the recipe suggests. Not a problem, though: just start early – even a day in advance – simmer however long it takes until the lamb is tender, and reheat it when needed. This is a reliable dish: It’ll be fine.

To accompany the vegetable-less lamb stew, I made a big sauté of summer vegetables from the greenmarket: eggplant, celery, onions, potatoes, peppers, tomatoes, and zucchini. We also had plenty of crusty bread available to soak up the delicious juices they generated, along with the equally good sauce from the lamb.

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The dinner wasn’t confined to these three courses. We also had a few hors d’oeuvres before coming to table, a cheese platter after the lamb, and a simple dessert of homemade lemon ice with cookies. Altogether, a very relaxed and comfortable summer repast. And Tom had picked out five wines from his collection to match with the food. He has written about those wines on his own blog.

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Swimming in the Splendor of Venetian Seafood

During the week in Venice that Tom and I are just back from, we indulged in so much seafood that we could almost feel gills beginning to form on our necks. Most fish and shellfish from the Adriatic Sea and the Venetian lagoon are so unlike anything we get at home that every meal was an adventure. Here are highlights.

 

Antipasti at Giorgione

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Friends who live part of every year in Venice took us to this simple family-run trattoria in their neighborhood. We started with granseola, a kind of spider crab, and cicale di mare, mantis shrimp. Both were simply boiled, chilled, and dressed with olive oil and lemon. Neither flavor resembles those of our blue claw crabs or shrimps of any size, but both were delicious.
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Main courses at Al Covo

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This is a handsome, chef-owned, Slow Food member restaurant with a mission to “research, appreciate, defend and propose” the products of the territory around the Venetian lagoon. We ate there with our Venetian friends also, who patronize it often.
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My main course, above, was breaded and fried sarde “de alba” (“dawn” sardines: a name for fish caught first thing in the morning and cooked that same day) and canoce (another local name for mantis shrimp).
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These are the two halves of Tom’s main course, a fritto misto dell’Adriatico. It was served that way, in sequence, apparently so that none of the fried things would get cold. They were sole (smaller and sweeter than any variety we get here), anchovies, scallops, squid, shrimp, monkfish, polenta, and several vegetables. Enough food for a hungry boy scout troop..

 

Dinner at Ai Barbicani

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On our first visit to Venice, many years ago, we had two very pleasant dinners at this little restaurant in the city’s medieval section. We were delighted this year to find it still in business, warm, charming, and even better than we remembered. They presented us with welcoming glasses of Prosecco and good-night glasses of grappa.
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We each had this most unusual antipasto of marinated raw seafood. There were shrimps in raspberry sauce; anchovies in vinegar and currants; thin, thin strips of cuttlefish mantle, and nuggets of monkfish. Fascinating flavors and textures, very attractively presented.
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Then we had an extravaganza of mixed grilled seafood: There were two big sweet-fleshed scampi, two even bigger mazzancolle (king prawns), a large sole, a small salmon steak, and chunks of coda di rospo (the ubiquitous monkfish), all perfectly grilled and amazingly fresh and moist. Even the platter on which they were served was almost a work of art.
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Dinner at Osteria da Fiore

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This entire trip to Venice was a gift to ourselves for our 50th wedding anniversary, and on the day itself we dined luxuriously at this Michelin one-starred restaurant. It had what for us is an ideal combination of elegant French ambience and service with the best of lightly modernized traditional Venetian cooking. We adored it.

Our first courses were spaghetti with tartufi di mare (Venus clams) and agnolotti filled with fresh peas in a sauce of astice (spiny lobster) with fresh ginger – the latter a particularly intriguing exotic note.
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Small soft-shell crabs from the Venetian lagoon – moleche in Italian, moeche in Veneziano – are available only briefly in spring and fall. Delighted to find we were there just before the end of the season, we both chose them for our main course. Perfectly deep-fried, they were the best dish we ate in the entire trip.
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We also had our best wine of the trip at Fiore, which Tom talks about in his blog. All in all, a great celebratory trip and a wonderful meal for an important anniversary.

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A Delicious Dinner of Near Misses

There’s a rough, chunky Italian cookie that’s known as brutti ma buoni – ugly but good. At a dinner party of ours last week, the principal dishes all turned out that way: brutti ma buoni. It was one of those days when everything you touch tries to go wrong, and only luck kept the meal from being a disaster. This was the menu:

Mozzarella in Carozza
Spaghetti all’Amatriciana
Stuffed and Rolled Flank Steak
Sauteed Swiss Chard
Assorted Cheeses
Fig and Almond Crostata

I can’t blame unfamiliarity with these dishes, because I’d made them all before; most were even from Tom’s and my own recipes. Mercifully, Vicky and John, our guests for that evening, are good sports as well as adventurous eaters, so they were unperturbed by the appearance of their plates.

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The first setback was the antipasto, my mozzarella in carozza.

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This should have been a good-looking dish, as well as a delicious one. It’s made with slices of bread and slices of mozzarella, floured, egged, pressed together, and fried in olive oil. I’ve made this successfully for years (even wrote about it here once), but this time the egged bread tried to fall apart, and the mozzarella broke through its supposed-to-be-golden crust. Though it didn’t look at all appetizing, it still tasted much as it ought, and we all ate it happily enough, along with a little sauce of anchovy, butter, and cream.
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The spaghetti all’amatriciana also was from one of my recipes, this one in La Tavola Italiana.

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The only thing wrong with the pasta this evening was that the classic recipe uses bucatini, not spaghetti, and I only discovered that I didn’t have enough bucatini for four when it was too late to run out and buy more. Though very plain-looking, the dish tasted especially good because the tomato sauce was enriched by a particularly flavorful artisan variety of guanciale (air-cured pork jowl) that we’d smuggled in (shh!) from our last trip to Rome.
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But then came the stuffed flank steak: braciolone alla napoletana, yet another recipe from La Tavola Italiana. To get the full effect of this near-disaster requires several illustrations.

The flank steak, butterflied by our butcher

 

The stuffing ingredients: prosciutto ground together with parsley and garlic, plus golden raisins, pine nuts, breadcrumbs, an egg, and grated pecorino romano

 

The flank steak trimmed and spread with the stuffing

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Now, here was the first problem: Which way should I roll that meat? Starting at the short side would have made a great blimp of a cylinder, with many opportunities for the filling to leak out during the cooking. So I rolled from the long side, making a long skinny tube.
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The size of it presented the second problem: Do I have a pot that will hold a 14-inch long roll? It had to be my ancient, rarely used 13-quart Creuset Dutch oven. (I could hardly lift the 21-pound monster out of its place in the bottom of a kitchen cabinet.)

Starting to brown the roll, along with chopped onion, carrot, and celery

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I’d placed the roll in the pot seam-side down, hoping it would seal. Nope! What it did was spread open as far as it could around the strings, as the meat shrank during the cooking. With the stuffing exposed that way, I didn’t dare turn the roll at all for the hour of slow, gentle cooking it would need. So I poured in white wine and diluted tomato paste, covered the pot, and looked in every 15 minutes to baste the meat with the juices and be sure it wasn’t sticking to the pot.

When fully cooked, the roll was definitely brutti.
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Maneuvering the meat out of that deep pot onto a cutting board without its breaking apart was a little tricky but we did it. And despite my fears, when I cut off the strings it stayed intact. In fact, it divided into not-bad-looking thick chunks for serving.

And if I do say so myself, the beef and its stuffing were both delicious: genuinely buoni.
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In retrospect, I can see it was a mistake to spread the stuffing all over the butterflied steak. In previous (forgotten, evidently) cases, I must have mounded the stuffing in the center and closed the meat over it, with enough overlap to ensure the stuffing stayed covered. I’d better annotate my recipe to that effect, to avoid imperiling future dinners.

The cheese tray, requiring no cooking or manipulation, was safely beyond my ability to harm it, but my dessert, the fig and almond tart, was one more barely averted disaster. I’ll save the rest of that story for my next post.

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Three Chickpea Recipes

Every now and then I come across something in the back of a pantry shelf that I’d completely forgotten about. Current case in point: most of a package of imported Italian dried chickpeas. Since they clearly had seniority among my dried beans and pulses, I felt I should make a special effort to use them.

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A timely email newsletter I received from the heirloom bean company Rancho Gordo featured a recipe for a winter salad of garbanzo beans (Rancho G uses the hispanic name) and carrots. So I started by making that.
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I soaked my chickpeas overnight in cold water. Next day I tossed them in a small mince of carrot, onion, and celery sauteed in olive oil, covered them generously with water, simmered until they were tender, drained and let them cool.

The remaining vegetables were raw: grated carrot, thinly sliced shallot, minced garlic, and chopped parsley. All were tossed together with olive oil, lemon juice, salt, pepper, and ground cumin. I cut back on the recipe’s carrot quantity. It wanted 5 or 6 large ones to a cup of cooked chickpeas, which seemed like much too much.

It made a pretty dish, but it’s definitely one for lovers of the allium family: the amount of shallot and garlic were almost shocking at first taste. But the interplay of that sharpness with the sweetness of the carrot, the savoriness of the chickpeas, and the spiciness of the cumin grew on me. I wouldn’t want it often, but it was an interesting discovery.

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Next I tried a new-to-me chickpea soup. Soupe aux pois chiche is a Languedoc recipe in Anne Willan’s French Regional Cooking, a book I usually find very reliable. This dish was not a success.
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Several aspects of the instructions seemed peculiar. To start with, there was an odd initial treatment of the chickpeas. After an overnight soak, there was a one-hour simmer, uncovered, starting with fresh water; then another uncovered simmer, in yet more fresh water, for another hour or more, until the chickpeas were tender. Wouldn’t all that plain water leach out some of the peas’ flavor?

Meanwhile I softened a sliced onion and a big sliced leek in olive oil, added a cut-up tomato, and cooked for a few more minutes. Then I was supposed to drain the chickpeas; return the water to the pot and bring it to a boil; add the sauteed vegetables and half the chickpeas; and cook until they could be crushed easily. The rest of the chickpeas were to be kept for another recipe. What was the point of that?! I just used half the amount of chickpeas to begin with.

I pureed the soup, reheated it and served it with croutons, as directed. It was totally insipid. The chickpeas could have been excelsior, the other vegetables were undetectable, salt was desperately needed, and when it went in, salt was all you could taste. I expect to occasionally come upon recipes I don’t like, even from cooks I respect, but this one was truly dismal.

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After that disappointment, I turned to a tried and true recipe for the rest of my chickpeas: pasta e ceci, from Tom’s and my second cookbook, The Seasons of the Italian Kitchen. The dish this simple recipe produces is the sort of thick soup or wet pasta on which generations of Italian peasants gratefully survived winter. Pure southern Italian soul food.
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After the chickpeas are initially reconstituted (the recipe uses the two-minute boil plus two-hour hot-water soak method rather than the overnight cold-water soak; either is fine), they’re drained, returned to the pot, and stewed with canned Italian plum tomatoes, olive oil, salt, and fresh water, absorbing flavor as they go. Needing only an occasional stir, the chickpeas simmer along gently until tender. Since that can be anywhere from two or four hours, depending on their freshness, it’s good to do this in advance.

The pot can sit on the back of the stove until dinner time approaches. Then you bring it to a boil, stir in short pasta, such as shells or ditalini, and cook for about 20 minutes, until the pasta is done. Add an aromatic mince of garlic, basil, and parsley, some olive oil, and lots of freshly ground black pepper, and serve. Ambrosia!

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A Golden Oldie: Turkey Tetrazzini

Back in the 1950s, turkey Tetrazzini was the height of fashionable cuisine, the stereotypical darling of “ladies who lunch.” Sort of a rich man’s chicken à la king, the dish came to mind the other day as I contemplated the generous pile of excellent roasted turkey meat our Thanksgiving hostess had sent us home with.

Browsing my cookbooks and the Internet, I quickly learned there are any number of recipes that call themselves turkey Tetrazzini, none apparently with any greater likelihood of being the one that Escoffier is said to have created and named for the renowned opera singer Luisa Tetrazzini – if indeed there’s any truth at all to that legend. I chose a recipe I found online, from a book called Almost Italian, by Skip Lombardi and Holly Chase.
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I was going to photograph the preparation process as usual, but I was pressed for time that evening and had a lot of steps to take in rapid succession. Also, I wanted a two-person version and had to cut back quantities given for 6 to 8 servings. Being a barely numerate person, I struggle to calculate things like the number of teaspoons there must be in one-third of a quarter of a cup. So the only image I have to show you is my finished dish.
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To make it, I started by cooking short rotini pasta until not quite done. Meanwhile, I cut the turkey into small chunks and thinly sliced several white mushrooms. I sauteed the mushrooms in butter. I made a sort of combination bechamel-velouté sauce with flour, butter, milk, chicken bouillon (from a cube), heavy cream, nutmeg, salt, and pepper.

I should mention that, given the great variability in the Tetrazzini recipes I’d seen, I felt free to change some of the ingredient quantities given in my source. I used less pasta, more mushrooms, and more peas.

In a large bowl I mixed turkey, pasta, mushrooms, sauce, defrosted green peas, and grated parmigiano. Spread it all in a buttered gratin dish, sprinkled on a mix of breadcrumbs and more parmigiano, dotted the top with butter, and baked it in a moderate oven for 40 minutes.

It came out looking nicely golden. How did it taste? Well, it was OK. All those pleasant, mild ingredients coexisted peacefully enough, but there was nothing to give the dish any strong character. I don’t fault the recipe: Most of the other versions I saw would have been essentially the same. I suspect that’s just what unadventurous American taste in the ‘50s liked about turkey Tetrazzini: no palatal challenges.

Just another piece of evidence that you can’t go home again!

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A Special Lunch in Malta

On the trip to Malta that I wrote about last week, we spent one day on Gozo, the country’s second largest island. More rural than the eponymous main island, Gozo has its own full share of marvels, from megalithic to medieval, as well as lovely rolling hills and excellent traditional food. A highlight of the day for Tom and me was lunch made by the noted Gozo chef George Borg – a lunch made not just for us but partly by us.

This was a fun occasion as well as a delicious one. George is a delightful man and a very talented chef, passionate about Maltese culinary traditions, as well as about wine. When we arrived at his studio kitchen, he had work stations and aprons set out for us; and he started us right off at helping to prepare the antipasto course: his own Gozo-style ftira.
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Now, the ftira we had in Valletta, as I showed last week, was on a thick base of bread, hence fairly heavy for an antipasto. George’s version lightens it by using flaky butter pastry. We were intrigued. The topping we made that day was potatoes, onions, tomatoes, olives, capers, garlic, and anchovies. I thinly sliced potatoes, Tom halved grape tomatoes, and George did the rest.

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While the ftira was baking, we moved on to preparing the next course, which was to be stuffed baked pasta shells. For the filling I mashed several little cheeselets – Malta’s ubiquitous fresh sheep cheese – with grated pecorino, chopped parsley, and black pepper.

Then, in the the most unusual way of treating pasta I’ve ever encountered, George gave Tom and me each a pastry tube filled with the cheese mixture and a pile of pasta shells to be filled with it – raw shells.

 

Once stuffed, the shells went into gratin dishes. George poured on milk to come half way up the pasta, sprinkled the dishes generously with grated pecorino, and put them in the oven to bake with the ftira.

 

Next, George brought out the fish that was to be our main course: fillets of lampuki. This autumn-season specialty is Malta’s favorite fish. Elsewhere, it’s called dorado, dolphin fish, or mahi mahi. But the ones caught here are nothing like the huge, bull-headed, pastel-hued creatures we in the US know as mahi mahi. The lampuki we saw in Malta’s fish markets were small, slender, silvery, white-fleshed fish, with no scales.

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The fillets George cut up were no more than a foot long. He said this was the end of the lampukis’ season, and that was as big as they ever got. To give us an authentic Gozo experience, he cooked them in one of the favorite local ways: just floured, shallow-fried, and served with a tomato sauce.

George’s sauce was based on his own sundried purée of tomatoes. (That is, not a purée of sundried tomatoes but a fresh tomato sauce that he’d made, spread out on trays, and left to thicken in the sunshine – much the way it’s done in Sicily.) He stirred salt, sugar, and capers into the purée, then softened chopped garlic in olive oil in a skillet, added the seasoned puree and a good slosh of water, and set it on the stove to simmer.

 

At last we sat to lunch. Our host had opened two local wines for us to choose from: a Vermentino and a Sangiovese. Naturally we tried both! They were very good. Tom has a blog post on Maltese wines that says more about these two.

 

The ftira was delicious – and quite light, thanks to the crisp, buttery flaky crust. It was hard to resist gobbling it all down, but we knew how much more there was to come.

 

Next came the baked stuffed pasta. The parts of the shells that had been in the milk were soft and fully cooked, while their top edges were firm, brown and crunchy. The milk itself had thickened into a lightly cheese-flavored cream. The mix of textures was a bit disconcerting to us – not the way we’re used to dealing with pasta. It tasted fine, but we still haven’t gotten past our sense of its oddness.

 

 

The lampuki was lovely in its simplicity – quite delicate but very flavorful – and the rich tomato sauce made an ideal complement. We relished every bite of the sweet, firm flesh, whose richness was nicely counterpointed by the acidity and brightness of the sauce.

 

George was eager to give us dessert, but after all those good dishes we couldn’t eat another thing. Tiny cups of espresso and glasses of an excellent grappa made a perfect conclusion to this wonderful meal. As we departed, with compliments on all sides, George gave us a copy of one of his cookbooks. I’m very much looking forward to trying some of his recipes!

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