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Archive for the ‘Fruit’ Category

Last week’s success with two simple strawberry desserts went to my head. Guess I should have known not to push my luck too far. But I’d found one more recipe that I wanted to try before the end of strawberry season. Somewhat more elaborate than the first two, this one, called Summer Pudding, is from Lee Bailey’s Country Desserts, a book that has previously given me several good things.

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The dish is essentially a cooked mixture of strawberries and blueberries in a lavishly fruit-soaked bread casing. It was to be prepared a day in advance, chilled, and served with whipped cream. We like all kinds of normal bread puddings at my house, so this seemed like a very interesting hot-weather version. I gathered the ingredients for an experimental half recipe’s worth.
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While the berries, sugar, and grated lemon peel simmered for 10 minutes in a small pot, I assembled the bread casing in a two-cup soufflé dish. The bread was a bakery pullman loaf, with a crumb rather flimsier than that of my usual homemade white bread, so I had to slice it thicker than I’d have liked.
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I strained the cooked berry mixture, saving all the not-quite-syrupy juices and using some to moisten the floor of the bread.
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The berries went into the case and were topped with another round of bread, which I dampened with a little more juice, being careful not to thoroughly soak the side bread pieces yet.
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Then I had to put a weight on the pudding, wrap it tightly in film, and refrigerate it for 24 hours. Happily, a search through my kitchen cabinets turned up just the right size mini-cocotte lid for the weighting.
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Next day, the pudding unmolded readily enough and accepted further doses of the reserved juices to fully color the casing. Standing alone, it didn’t look all that appealing.
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The individual servings, topped with vanilla-flavored whipped cream, were more attractive.
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However, I can’t say we liked the pudding much. The berry flavors were good, but the overall texture was not: It was essentially just a fruit compote on too much soggy bread. Also, the recipe’s prescribed amount of whipped cream was barely enough to offset the acidity of the fruit and juice. I understand this is intended as a minimal-cooking summer recipe, but we’d have been much happier having those berries in a normal bread pudding.

Well, you can’t win ‘em all. Two out of three’s not so bad.

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What joys there are in strawberries, the first fruits of summer! Fancy dishes: strawberry shortcake, strawberry ice cream, strawberry tarts. And plain ones: a bowl of berries with sugar and lemon juice, or with cream. The local strawberries have been going strong this season, leading me to try a few new-to-me preparations with them.

I found two fine simple ones in the Fruits volume of the Time-Life Good Cook series. Each book in this series is an eclectic treasure trove of recipes, reprinted with permission, from everything from classic to all-but-forgotten sources. More than 100 are cited in this volume, for instance. I’d never heard of either of the sources for my two new recipes.

 

Strawberries with Vinegar

Vinegar: odd ingredient for a dessert, I thought. The more so because the recipe comes from a book called The Cuisine of Venice (authors Hedy Giusti-Lanham and Andrea Dodi) and I’d never found another Venetian dish like it. The recipe’s explanations intrigued me, starting with the odd first step in the simple procedure: Put unwashed strawberries in a bowl and pour on wine to cover. I did that, using a cup of white wine and a pint of berries, for a half recipe to serve two.
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After five minutes I was to pour off the wine and discard it: It was there only to wash the berries. The recipe said washing with water dilutes their taste and makes them watery – not a problem I’ve ever been aware of. Still, there was some wine in my refrigerator that had been open for several days already, so “wasting” wine that way wasn’t too painful.

For serving, I divided the berries over two little bowls and added a teaspoon of distilled white vinegar to each, plus a sprinkling of powdered sugar. The recipe assured me that I wouldn’t be able to taste the vinegar; it would be overpowered by the berries, and its acidity would enhance their flavor and increase their sweetness.
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And in fact, that was exactly the case. The berries were delicious. The cookies you see accompanying the bowls of this hitherto-unknown Venetian preparation are traditional “esse” cookies from the island of Burano, a souvenir of my recent Venice trip.

 

Strawberries in Liqueur

This recipe, originally published in the Dutch magazine Vrij Nederland, caught my eye because I happen to have all three of the liqueurs in the ingredient list – Armagnac, Curaçao, and kirsch. It’s another very simple preparation, and again I was halving the recipe to serve two.
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I hulled, washed (in water, this time!), and patted dry a pint of strawberries and mixed them in a bowl with half a tablespoon of sugar. Over them I poured a scant tablespoon of Armagnac and a scant tablespoon of Curaçao, then covered the bowl and refrigerated it for an hour..
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Next I whipped ¼ cup of heavy cream with about a teaspoon of sugar and added a scant tablespoon of kirsch. I gently folded that into the berries and returned the bowl to the refrigerator for another hour.

This was wonderful. When I transferred the berries to serving bowls, the liqueur had softened the cream into a luscious sauce, which coated the strawberries and blended yet another lovely, subtly spiced flavor to that of the chilled, fragrant fruit. Ambrosia!
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This dish goes into my repertory for as long as strawberry season and my supply of the three brandies lasts.

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As I mentioned in last week’s post, Tom and I had carefully chosen restaurants for the three dinners we’d be having in Lyon after our Rhône cruise. We wanted simple brasseries or bouchons devoted to traditional Lyonnaise cuisine. Our selection was somewhat limited by our days’ including a Sunday and a Monday, when many restaurants there are closed. But we did very well with the ones we found.

 

Brasserie Georges

Brasserie Georges, huge, bustling, and immoderately lively, has been an institution in Lyon since 1836. We discovered it on our first visit to the city in 2008 and have ever since remembered the fabulous first course of roasted marrow bones we ate there. So of course we both had them again this time around.

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The menu called the dish Os à moelle à la croque au sel de Guérande, pain grillé. We called it heaven. The prized crunchy sea salt of the Guerande area gave a special zest to the soft, lush marrow as it melted onto the warm toasted bread. But each portion was enormous: We would have been wiser to split a single order instead of gluttonously plowing through the two.

For our second courses, Tom had steak tartare of Charolais beef, expertly prepared at our table with the condiments of his choice and served with a green salad and fried potatoes. I had tête de veau – calf’s head – with ravigote sauce and steamed vegetables. Both were fine of their kind.
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Needing a break from the multiple-course menus we’d been eating on shipboard, we simply stopped there: Georges’ food was very good, but not quite as magical as memory had painted it. Nonetheless contentedly stuffed, we strolled home and finished our evening with cognacs from the bar at our hotel.

 

Le Petit Léon de Lyon

Though it still calls itself a bistro, Léon de Lyon has become a double restaurant: the original establishment, dating from 1904, now features elegant, upscale cuisine, while a small new adjacent space, dubbed Le Petit Léon de Lyon, offers simpler, traditional fare. The little place was perfect for us.

We both started with the house’s pâté en croûte.
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The thick slices of buttery pastry enclosed a filling made from foie gras, veal sweetbreads, and vin jaune, a sherry-like white wine from France’s Jura region. Not so simple at that! It was marvelous, and so filling we could almost have stopped right there.

But we didn’t. For the main course, we’d both ordered Lyon’s signature tripe dish, gras double à la lyonnaise. Here the Petit Léon surprised us: What we received wasn’t the typical version, where the tripe is essentially stewed in onions and wine, but instead was cooked in a sauce with quite a lot of tomato and then gratinéed for serving. Very good, but not what we were expecting.
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The gras double tripe, so different from the honeycomb tripe that is all we get in the US, was melt-in-the-mouth delicious, but so unutterably rich in its sauce that neither of us could finish our portion. The fresh green salad that came alongside made a welcome brisk counterpoint, but it could only help so far. Once again, we didn’t go on to cheese or dessert.

 

Brasserie Le Nord

In addition to the original Michelin three-star Paul Bocuse restaurant just north of Lyon, there are seven less glittering Paul Bocuse restaurants in the city itself, including four brasseries named for the cardinal points of the compass. Each of those has a different culinary emphasis. Le Nord is devoted to “les grands classiques de la Cuisine de Tradition Lyonnaise.” We dined there on our last night in Lyon.

Our meal was indeed classic, in both simplicity and excellence. We both started with fresh foie gras, among the best we’ve ever had.
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Served with it was a cooked condiment made (I was told) from red onion, apple, pineapple, and celery. It was fascinating – sweet but sharp, a wonderful foil for the goose liver’s richness. I’ve since discovered that similar fruit garnishes are very popular now, and I’m going to try making one like this for the foie gras that we brought home from this trip.

Next, Tom had lamb sweetbreads braised in a velvety brown sauce, and I had a leg of Bresse chicken cooked with cream and mushrooms, both very fine.
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Capable at last of going on to a light dessert, we both had dishes of delicious raspberries and strawberries in crème Chantilly. They were immensely refreshing after the richness of Le Nord’s cuisine.
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Every dish we had this evening was as near to perfection of its kind as I can imagine. The meal was a grandly memorable conclusion to our dining in Lyon.

 

Lest I forget: I should also mention that with each of these three dinners we drank remarkable wines, which you can read about in Tom’s blog.

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I really like baking breakfast breads. I make several kinds of rolls, muffins, scones, sweet breads, brioches . . . . I’ve even tried my hand at crumpets and bagels. Fortunately, I have a husband who’s an enthusiastic abettor of my efforts and consumer of the results. (He’s also the barista for the espressos that are our daily breakfast beverage.)

In baking I normally follow recipes closely, but when a fancy for cranberry-orange muffins struck me recently, I found many different ways of making them, in books and online, but none that truly appealed to me. So I took off mostly on my own and, happily, succeeded quite well.
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For the dry ingredients I took the proportions from Joy of Cooking’s basic buttermilk muffin recipe, using 2 cups cake flour, 1 teaspoon baking powder, ½ teaspoon baking soda, 2 tablespoons sugar, and ½ teaspoon salt. That huge orange you see in the picture above gave me ⅓ cup of juice, in which I warmed ½ cup of dried cranberries, to soften them. I grated the orange’s peel and stirred the zest into a cup of buttermilk. Separately, I beat an egg and melted 2 tablespoons of butter.
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All the liquid ingredients went into the dried ones with only perfunctory mixing, to avoid activating the gluten in the flour, which toughens the muffin crumb. I had to add a little more flour because what I had at first was too wet: more like a batter than a dough.
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Then, when the texture looked right, I spooned the dough into a buttered 12-cup muffin pan. (BTW, I’ve found that brushing the cups with melted butter rather than rubbing them with solid butter gives more even coverage and better prevents sticking.)
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After 25 minutes in a 400º oven, the muffins were done. A few minutes’ rest in their cups, and out they came, to finish cooling on a rack.
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And very nice they were. Cranberry and orange are always a good flavor combination, and the balance here seemed about right. Next time I might try going a little heavier on the cranberries and simmering them longer in the orange juice, but that would be just to see if it made the muffins even better. Split while still warm, the first ones eagerly accepted slatherings of butter and made for a very pleasant small breakfast.
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The barista, normally not rapturous about cranberries, thought these muffins delicious.

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Last week I wrote about a nearly star-crossed dinner at which several of the dishes were brutti ma buoni – ugly but good. I saved a description of the evening’s dessert for its own post, to celebrate its supreme ugliness. Here it is: my fig and almond crostata, just as it came from the oven.
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Pitiful! The attempt at this dessert came about because, all through February and March, my local markets were getting beautifully ripe black Mission figs from Mexico. After enjoying several out-of-season antipasti of prosciutto and figs, I began thinking of fig desserts. This made Tom very happy, whose passion for figs I’ve already written about in connection with a Dalmatian fig tart, so I wanted to try something new.

I found an interesting looking recipe online for a partially open-faced fig and almond crostata, so I tried a small version – one just big enough to accommodate the number of figs I had on hand. In making it I used a few shortcuts, including a batch of made pastry dough that I had in the freezer, plus a few guestimates on quantities, and was pleased when the crostata came out very well. Leftovers even kept without losing goodness for several days.

Okay! I thought: This is one to remember. Now I’ll make a full-size version for my upcoming dinner party, following the recipe exactly. That should be a really fine cap to the meal.

On the morning of the party, I washed, dried, and sliced two boxes of ripe figs. For the cream filling I ground blanched almonds with sugar in a food processor; added an egg, softened butter, a little flour, vanilla, and salt; and processed again until smooth.

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The day before, I’d made the pastry, carefully shaped it into a flattened round, and chilled it overnight. Annoyingly, when rolled out to the specified size, it didn’t hold its roundness but split into big uneven flaps between deep indentations. I hoped that might not be a problem, since I would be folding and pleating the pastry over the filling anyway, so I went ahead and spread the almond cream in the center.

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The cream filling lay much thicker than it had in my test version, and the figs had to be piled higher too. Maybe for that first one I’d rolled out too large a piece of pastry for the amount of filling? But it was good that way; maybe this will be even better.

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Still hopeful, I folded, tucked, and rounded the crostata and gave the pastry a coating of egg wash before putting it in the oven.
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Well, you saw up at the top how that came out. The filling dribbled through the weaker areas of the crust and made a big mess on the baking pan. (I’d wondered at the beginning why the recipe said to roll, shape, transfer, and bake the crostata on parchment paper. Now I knew.)

There was nothing I could do but chop away the burnt almond cream and try to close over the holes in the crust – which hadn’t browned and firmed as nicely as the earlier version did. This crostata was definitely one of the brutti.
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So ugly was it that I never let the guests see the whole dish. In the kitchen I cut individual portions as neatly as I could and brought them to the table. And they were very good!

Though the crust was softer than I’d have liked, the flavors of fig and almond were in excellent balance, and the quantity of filling seemed just right. The full amount of almond cream would, for me, have unpleasantly dominated the dish. Losing so much of it was a brutti ma buoni blessing in disguise. The passionate fig fancier agreed.

 

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In every book of Martin Walker’s “Mystery of the French Countryside” series, police chief Bruno Courrèges finds time between pursuing criminals and preserving the peace in his Périgord village to make fabulous meals for his friends. When Bruno cooks, readers are right there in the kitchen with him, and for enthusiastic home cooks, the urge to step in and help out is almost irresistible.

A dinner Bruno makes in The Templars’ Last Secret did prove irresistible for Tom, our friend Hope, and me this week. Being all Bruno devotees, we were intrigued by this very unusual menu of his and decided to try making it for ourselves:

Venison Pâté with Haitian Epice
Fish Soup
Blanquette de Veau with Rice
Salad and Cheese
Wine-Poached Pears with Ice Cream

Of course we couldn’t reproduce that meal exactly: Much of what Bruno eats he grows or gathers for himself, or else buys from artisans at his village’s outdoor market. But we came as close as we could.

 

Venison Pâté with Haitian Epice

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Bruno wasn’t originally planning to have this course, but one of his guests, a young Haitian woman from the Ministry of Justice, brings him a jar of épice, her mother’s version of Haiti’s all-purpose spicy green sauce. Bruno opens a can of his homemade venison pâté so everyone can taste Amélie’s gift with it.

We couldn’t find a venison pâté, so we substituted a rabbit terrine and created our own épice with guidance from recipes on the Web. It was very easy to make. We simply pureed small amounts of green and red Bell peppers, two hot Serrano peppers, a tiny red onion, scallions, garlic cloves, lots of parsley, and a little basil in the food processor.

It was a lively sauce, tasting bright and intensely vegetal at first, with a sneaky zing of heat just as you were swallowing. It gave a nice lift to the lushness of the terrine. We could even have taken it a bit hotter – maybe try a Scotch bonnet pepper next time. With this appetizer Bruno served a sparkling Bergerac rosé wine. We drank an Alsace crémant, a regional transgression that nevertheless worked quite nicely.

 

Fish Soup

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One way to tell this must be a Périgord recipe is that it starts by cooking diced potatoes and crushed garlic in a casserole with duck fat. Fish soup made with duck fat! – totally new to us. Fortunately, I had duck fat in the refrigerator, so we were off to an authentic start. Continuing to do as Bruno did but guessing on quantities, most of which aren’t given in the story, we then added cubes of fresh cod, chopped canned tomatoes, stock that we’d made from shrimp shells, and a glass of white Bergerac. All that simmered along until the fish was done, when we adjusted the salt, poured in another glass of the wine, stirred in chopped parsley, and served.

It was unexpectedly rich and hearty for a thin-bodied soup made so simply from cod. We could just detect an undertone of the shrimp-shell stock’s flavor. The wine also made a definite contribution. We were lucky to have found that bottle of Bergerac. It’s uncommon here and was very distinctive: slightly herbal-spicy and only barely not sweet. But there was something more unusual in the soup’s flavor that we struggled to identify. Finally we remembered: the duck fat! It gave the soup an almost meaty essence. We three liked it as much as Bruno’s guests did. And we, like them, happily drank white Bergerac with it.

 

Blanquette de Veau

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Even at first reading, we were each struck by the oddity of serving a soup and a stew at the same meal. We were still dubious about it after deciding to make the full menu, but we put our trust in Bruno and went ahead.

To save some work on the cooking afternoon – and since stews are always better the second day – Hope undertook to prepare the blanquette herself on the preceding day and bring the finished dish to us. This entailed simmering two pounds of cut-up veal with aromatic vegetables, separately sauteeing a pound each of shallots and mushrooms in butter, thickening the veal cooking liquid, and stirring in the veal, shallots, mushrooms, and much heavy cream.

The blanquette was luscious, especially since Hope had used shiitake for half the mushrooms, instead of all small whites. The sauce had perversely not thickened quite as much as it should have, but it made a delicious dipping medium for crusty bread, as well as a sauce for the rice. With this course, Bruno served Pécharmant, a light red Bergerac wine made in Bordeaux-blend style. We had a modest Bordeaux wine of the same grape blend.

 

The Missing Salad and Cheese

We know Bruno intended to have salad and cheese at this meal. Before the guests arrive, he picks and washes salad greens from his garden and takes cheese out of his refrigerator. But that’s the last they’re heard of. As the dinner progresses, Bruno offers second helpings of the blanquette, and in the next paragraph he brings in the dessert. Well, even Homer nods. We had our salad and cheese, but to honor Bruno’s omission, I didn’t take a photo of them.

 

Wine-Poached Pears with Ice Cream

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Bruno poaches his pears in red wine to cover, with cinnamon, cloves, nutmeg, and half a glass of his own vin de noix. We did the same except for the walnut liqueur, which is unattainable here. Also, Bruno seems to have left his pears whole, but we halved and cored ours first, because they’re so much easier to both cook (less wine, less time) and eat (no maneuvering around the cores) that way. We did, however, follow his manner of serving them, with a splash of sparkling wine and a scoop of excellent vanilla ice cream in each bowl. To make up for the absence of vin de noix, we awarded ourselves glasses of Bruno’s favorite dessert wine, Monbazillac.

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We three thoroughly enjoyed each part of this meal, as well as the making of it. But, for all our admiration of Bruno and his creator, we can’t commend the dinner as a whole. For us, the sequence of soup and stew didn’t work. The two dishes were too similar in color, texture, and general character for the palatal contrasts that are part of the pleasure of a truly great meal. Just too much of the same thing – especially with the richness of the duck fat, cream, and butter. We’d had greater success with the harmony of a previous Bruno feast we’d tried.

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We could have taken our Fourth of July picnic up to a table on our building’s roof garden, but it was still ghastly hot and humid that evening, and since the elevators don’t go up to the roof, we’d have had to shlep food, drink, and all their accouterments up a sweltering stairwell. So our foursome picnicked in the dining room in air-conditioned comfort.

Tom created a dandy little hors d’oeuvre for the occasion – a sort of micro-mini ballpark hot dog. He fried two slices of sandwich bread in butter, spread them with yellow mustard, cut them in one-inch squares, and laid a chunk of frankfurter on each. Half of them received a round of homemade bread-and-butter pickle under the frank, and the other half were topped with a piece of cornichon. Both were very tasty, but we all agreed the bread-and-butter-pickle version had the edge.

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The main event opened rather elegantly with Galatoire’s Crabmeat Maison. A few years ago I wrote a post about making this specialty of the famous New Orleans restaurant. It’s a luscious dish and always a favorite.
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After that came the more traditional picnic-y foods.

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My potato salad, made with the season’s first new potatoes, thinly sliced, a little red onion, olive oil, wine vinegar, salt, pepper, and homemade mayonnaise.
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Tom’s macaroni salad, with bits of celery, bell pepper, red onion, and tomato; dressed with olive oil, wine vinegar, salt, pepper, and the same mayonnaise.
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A broiled flank steak with Tom’s minimal barbecue sauce: his own seasoned ketchup, Worcestershire, and chipotle Cholula. It makes a light coating, penetrating the meat just enough to liven up its own flavor.
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There was also corn on the cob – white corn, first of the season, wonderfully fresh and sweet – chunked heirloom tomatoes, and a crusty baguette; all set out family style and attacked with enthusiasm and old-fashioned boardinghouse reach.
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To finish the meal we had a nectarine cake, which I make from a Joy of Cooking recipe called Plum Cake Cockayne. It’s a regular summer dessert of mine, sweet, easy, and good with any stone fruit. It was consumed with alacrity, even though everyone protested how full they already were. That’s the magic of fruit desserts.
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