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Archive for the ‘Baked goods’ Category

We’re having a great summer for peaches. While a few months ago, newspapers were predicting a peachless year because of devastating winter crop losses in Georgia and South Carolina, that’s not the case here in the northeast. Peaches from southern New Jersey are plump, plentiful, fragrant, and sweet. Here’s a recent batch at my favorite greenmarket peach purveyor, Kernan Farms.
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I can’t pass by the stand without picking up a few. And since some of these beauties weigh three quarters of a pound, I find myself with a lot of rapidly ripening fruit that needs to be done something with.
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This is far from a problem from Beloved Spouse’s point of view: He happily consumes the peach pie, peach cake, peach cobbler, peach bread pudding, baked peaches, and peach jam that I make for him.

Browsing my cookbooks for another “peach something” to add to my tool kit, I came upon a recipe called Rustic Fruit Focaccia in Michele Scicolone’s Italian Vegetable Cookbook. Now, focaccia is usually a savory bread (such as I wrote about here) but, as Michele explains, in Tuscany in autumn they make this flat bread with a topping of ripe wine grapes. She also says it’s good with other fruits too, such as peaches. Well, just the thing!

The dough for this focaccia isn’t kneaded at all: You simply stir together flour, sugar, salt, yeast, olive oil, and water until it becomes a rough ball. I suppose that’s what makes it “rustic.”

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The dough rises once in the bowl, then is spread out thinly over a shallow rectangular baking pan and rises again. While it was doing that, I was peeling and slicing peaches.
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The illustration in the book shows a focaccia topped with nectarines and blueberries. That looked good, but I had some raspberries in the refrigerator, so I dotted them on the dough along with the peaches, sprinkled a little sugar over it all, and baked it in a moderate oven for about half an hour.
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The edges of my focaccia crisped and browned just as they ought, but my fruit was so juicy that the central bread part of the crust didn’t. Still, it was fully baked and had risen about as much as expected. So I took it out of the oven, let it partially cool on a rack, and cut pieces for a week-night dinner dessert.
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This is definitely not a very sweet confection. Michele says she likes it mostly for breakfast or afternoon tea. We were happy enough with it in the evening, especially with a veil of powdered sugar. It made a nice, light, crunchy fruit dessert. But I agree that its true destiny is as a breakfast or midday treat, which is how we promptly devoured the whole rest of the focaccia. By midwinter, we’ll be longing for fresh fruit flavors like this.

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In the immortal words of Nellie Forbush, I’m as corny as Kansas in August! – only in my case it’s the vegetable I mean. It’s high corn season in my greenmarket now, and I’m reveling in it.

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One day recently a Washington Post article called “Easy, Delicious Recipes for Sweet Summer Corn” gave me some new ideas for using my favorite summer vegetable. The first one that caught my interest was a corn soufflé recipe. The article’s headnote praises the recipe for eliminating “the stumbling blocks in making a soufflé – beating separate egg whites, cooking a base sauce, the anxiety of it not rising.”

Sounds good, doesn’t it? I didn’t see how a soufflé could rise without egg whites beaten into peaks, but maybe there was something to be learned here. I’d try it for a dinner for two. I gathered my ingredients – fresh corn, poblano pepper, gruyère cheese, eggs, half-and-half, salt, pepper, and chives. (Forgot to put the chives in the picture.) That seemed like a tasty combination; despite my doubts we were off to a good start.
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The recipe wanted all the ingredients to be pureed in a blender, but that quantity would have filled my cranky old blender so high that at first pulse it would’ve shot liquid out past the lid. I used my food processor instead.
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The recipe recommended baking the mixture in individual half- or one-cup ramekins or in a larger four-cup dish. For our dinner first courses I always bake individual soufflés in two-cup porcelain molds, so that’s what I used, even though this was a recipe for four persons.
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With no need for last-minute preparation and addition of fragile aerated egg whites, I was able to do all this hours in advance, putting the molds in the refrigerator until nearly dinner time. Then I baked them for about half an hour at 400°. They puffed up somewhat, but barely to the rims of the dishes. Nothing magic had happened.
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They began to deflate instantly, before I could even get the camera to them, and by the time they made it to the dinner table, they had sunken much further. We tasted them skeptically. Surprise: They were quite good. Beautifully corny, rich and dense, with a subtle blending of the poblano, chives, and cheese flavors. They had become a creamy, nubbly, slightly sweet, slightly spicy, very enjoyable summery whole. But they were not soufflés.

The whole point of a soufflé is lightness. What we had here were savory vegetable custards, much like crustless quiche. They were rich and very filling: Even though we liked them, neither of us could finish more than half our portion. No wonder the recipe called for small ramekins!

The newspaper’s recipe was lightly adapted from one in the book Heart and Soul in the Kitchen by Jacques Pepin, the celebrity chef, TV personality, and prolific cookbook author. I knew he had a reputation as a popularizer, but I’m still surprised that a professional cook – and a Frenchman to boot – would say something is a soufflé when it absolutely is not. He did, though: I checked his own recipe online, and that’s what he calls it.

I think that’s a disservice to people who don’t know what a soufflé really is, as well as to anyone who makes the recipe expecting it to produce real soufflés. However, at least the dish is a respectable one of its kind and a very pleasant use for high-summer corn.

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The calendar says it’s spring, but the weather hasn’t been fully cooperative. What do you do on an unseasonably raw, dark, damp day? Easy: Have friends over for a bollito misto dinner.

In English, a “mixed boil” doesn’t sound overly attractive, but this northern Italian meat extravaganza is truly marvelous. I remember a long-ago winter day in Ferrara when Beloved Spouse and I lurched out of the icy blasts and into the warmth of a restaurant where all the lunchtime patrons were comforting themselves with bollito misto, served from a steaming silver cart that a waiter rolled around to each table. That was our first taste of this now-indispensable bad-weather balm.

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For this occasion, I embellished the bollito with a multi-course menu of dishes from my book The Seasons of the Italian Kitchen. We started with an antipasto of grilled radicchio with smoked mozzarella.

Several red-leaved members of the chicory family are known as radicchio. This dish wants the long, slender Treviso variety. The radicchio heads are halved and pan-grilled with a little olive oil, salt, and pepper; then placed in a baking pan, topped with smoked scamorza or mozzarella (scamorza is better, if you can find it), and baked until the cheese melts. The combination of smoky-lush cheese and savory-bitter radicchio makes a bracing wake-up call to the appetite.

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Next came a first course of passatelli in brodo.

Long, gentle boiling of several kinds of meat – on this day eye of chuck, chicken thighs, and veal tongue – produces a wonderfully rich broth. A bowl of it is purely ambrosial with passatelli. To make these tiny shreds of dumpling, you mix breadcrumbs, grated parmigiano, eggs, parsley, salt, pepper, and nutmeg into a soft paste. Dip out a quantity of broth into a separate pot; bring it to a boil; set a food mill over the pot; and mill the passatelli mixture directly into it. Cook two minutes, let rest two minutes, and serve. This is the soul’s plasma, so be prepared to offer seconds.

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Finally, the main event of the evening: the meats and their condiments.

In addition to the beef, chicken, and tongue, I separately cooked a large, unctuous cotechino sausage. Alongside we had potatoes mashed with parmigiano; salsa rossa (a thick, nubbly sauce that I make from roasted sweet peppers, onions, garlic, tomatoes, and red wine vinegar), and mostarda di Cremona – fruits preserved in a strong mustard syrup (jars of which I bring back from every trip to Italy). All in all, they made richly satisfying platefuls, with the sweet/sharp flavors of the two condiments playing beautifully off the lushness of the meats.

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And to finish the meal, a pizza dolce, or ricotta torte.

The pastry for this looking-toward-Easter dessert is a tender pasta frolla. The ricotta filling is flavored with confectioners’ sugar, cinnamon, vanilla, chopped almonds, and chopped candied citron and orange peel. For this evening’s torte I diverged a bit from my published recipe: I used very fresh sheep’s milk ricotta; orange peel alone, and a combination of almonds, walnuts, and hazelnuts. Came out just fine!

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I always thought of shrimp sandwiches as using cold, mayonnaise-based shrimp salad. Now I’ve discovered a different kind of shrimp sandwich – warm, spicy, saucy, and good! The recipe, from Richard Sandoval’s New Latin Flavors, is called Tortas con Camarones al Ajillo, or Garlic Shrimp Tortas. One further reason I liked it was that most of the ingredients are things I keep in the kitchen or can get easily, so no special shopping was required.

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I did change a few things when I made the recipe. First, it calls for just “crusty rolls,” which could be anything: French, kaiser, ciabatta, etc. I wanted to have true Mexican torta rolls. Online research told me there are two varieties, called telera and bolillo, which seem to be identical except for the way the tops are slashed. I found a nice recipe for them on the King Arthur Flour website and baked a small batch, using the easier bolillo slash.

 

The next day I was ready to make the tortas for lunch. For two sandwiches, the recipe calls for ¾ pound of shrimp. That sounded like too much for the size of my rolls, so I used only ½ pound. I peeled them, sprinkled on salt and pepper, and let them sit while I started their sauce. (Cook’s confession: I never bother to devein shrimp unless the veins are grossly unsightly.)

I persuaded Beloved Spouse to stem, seed, and cut up two small dried de árbol chiles, a variety I like very much, while I sliced two cloves of garlic very thin. These went into a large pan along with olive oil and a bay leaf, and sauteed until the garlic began to brown.

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I added the shrimp and cooked very briefly, until they just turned opaque . . .
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. . . and removed them from the pan. Into it I poured in ¾ cup of white wine and 1½ tablespoons of lemon juice and cooked until the liquid had reduced by half. Off heat, I put the shrimp back in and left them there to soak up flavors while I prepared the rest of the ingredients.

The tortas were to receive a garnish of tomato slices and a heap of baby arugula. For several days previously I’d had some halfway-flavorful Mexican tomatoes – winter’s best option – and a big plastic box of wild arugula, both of which I’d been using. Alas, when I reopened the box this time, the arugula had gone slimy. I had to substitute shredded Boston lettuce – a much milder green.

While two split bolillos were toasting lightly, I reheated the shrimp, taking out the pieces of chile and the bay leaf, stirring in a teaspoon of chopped parsley and the grated zest of half a lemon, and dissolving two tablespoons of thinly sliced butter into the sauce for a final enrichment.

At last I could put together the tortas. The bottom half of a roll on a plate; the shrimp heaped on, the sauce poured over, plus tomato slices, lettuce, and the top half of the roll.

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Though a little messy to eat, the tortas were scrumptious. There was an almost symphonic interplay of flavors and textures – nutty sweetness of shrimp, subtle scent of garlic, spicy heat of chiles, bright acidity of wine and lemon, richness of butter, softness of tomato, and crispness of lettuce, all contained by a very tasty roll. I only regret having lost the arugula – it would have made another tangy element. Next time, for sure!

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byrn-american-cakeI’ve just acquired an intriguing new cookbook, devoted entirely to cakes. Anne Byrn’s American Cake tells the story of cake making in this country from colonial days forward, illustrating changing trends and fashions in baking with well-documented classic recipes and gorgeous photography. I’ve never been much of a cake maker, relying more on pies and tarts for dessert-making occasions, but this book looked like a good opportunity to try new things.

As soon as the book arrived, Beloved Spouse – who has developed more of a sweet tooth than he had when we were young – fell on it joyfully and put in an immediate request for its Boston cream pie, a kind of cake I’d never made before and could only vaguely remember even having tasted:
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books-cake

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This picture made it look almost cloyingly rich, oozing with custard between the layers of cake and dripping with a thick chocolate glaze. I was sure the two of us wouldn’t be able to consume a whole cake that size before it went stale.

Then I had my Great Idea: Make half of it! Instead of baking two layers of cake, bake only one, slice it in half, and put the halves together with half batches of the custard and the glaze.  What simplicity! What genius!

It was easy enough to reduce the quantities of the ingredients, but it’s still an elaborate process to follow. I had to start early in the day, because the custard had to be made and chilled for at least five hours before being used.

First I whisked together milk, sugar, gelatin, and salt in a saucepan and simmered it until the sugar and gelatin were dissolved. Next I whisked together an egg yolk, cornstarch, and a little more milk, and gradually combined the two mixtures. It all went back into the saucepan, to be cooked and whisked continually until it thickened. It did, very properly. So far, so good.

I strained that mixture into a bowl, stirred in butter and vanilla, and whisked, yet again, until the custard was smooth. Covered the bowl with plastic wrap, pressing it right down onto the surface of the custard, and set it in the refrigerator.
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custard

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Then it was on to the cake. I creamed butter, sugar, and vanilla in the heavy-duty mixer, beat in an egg, then added flour, baking powder, and salt, alternately with milk, to make a smooth batter. The batter baked in a greased 8-inch round pan for about 20 minutes, until the cake was golden. Unmolded, it had to cool completely on a rack.
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I sliced the cake in half, put one piece on a plate, spread the custard filling over it, topped it with the other cake piece, and put the plate in the refrigerator while I made the glaze. That was easier to do than I expected. In a saucepan I melted semisweet chocolate, heavy cream, and a little syrup. (It should have been corn syrup but I didn’t have any and didn’t want to buy a whole bottle for one tablespoon’s worth, so I just made up a bit of simple sugar syrup.) Off heat, I added vanilla and stirred until the glaze was smooth.

The last step was to pour that glaze over the cake and let it drip artistically down the sides, as shown in the book’s photo above. That was not as easy as it sounds, as you can see from my results. There must be an art to manipulating glaze that I never learned.
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my-cake

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And if you think that looks terrible, have a peek at the cut side of the cake.
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back-side

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Not a thing of beauty, and not one I’d dare set before anyone other than ourselves. But you know what? – It was great. The textures and flavors of cake, custard, and glaze made a marvelous combination. Not as overly sweet as I’d feared it was going to be, either. I now see why Boston cream pie is such a classic American dessert.

And, when sliced and served, it was almost decent looking.
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Beloved Spouse would like another.

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Breakfast Brioches

Around here, everyday breakfast is usually two cups of espresso and something in the bread family: an English muffin, a bagel, a homemade muffin or scone; if nothing else, white toast. Very occasionally, we have croissants or brioches. I buy the croissants, because I’m not good at making them, but I can make good brioches.

When the urge to do so overcame me recently, I dug out my individual brioche tins and started looking through cookbooks. There are some big differences in technique claytonbetween brioche recipes, though none of them is simple. Julia Child’s in Mastering is – predictably – the most complicated, with a six-page master recipe and five pages of shaping variations. Even Irma Rombauer, always a model of conciseness, devotes a whole densely written page of Joy to brioche making. This time I chose to use Bernard Clayton’s basic French Brioche recipe in The Complete Book of Breads, which runs to only four pages.
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Brioche dough – really more like a very thick batter – never gets kneaded, only beaten. To start, I dissolved yeast in water; added a small amount of flour, plus nonfat dry milk, sugar, and salt; and beat that in the heavy-duty mixer for two minutes. Next I added a lot of soft butter and beat that in for one minute. Finally, I beat in eggs and the rest of the flour. Here are those three stages of the batter.
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three-batters

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Then came the tricky part. I quote you the recipe’s instructions:

Grab the dough in one hand . . . pull a large handful of it out of the bowl, about 14 inches aloft, and throw it back – with considerable force! Continue pulling out and slapping back the dough for about 18 to 20 minutes. Don’t despair. It is sticky. It is a mess but it will slowly begin to stretch and pull away as you work it.
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A heavy-duty mixer, at medium speed, can do this in about 10 minutes.

This time I thought I’d give the hand system a try.
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It was kind of fun at the beginning – good for working out aggressions – but very soon I gratefully turned the job over to the mixer. After 10 minutes of powerful slapping around, the dough had smoothed out nicely and showed a distinct preference to stick to itself rather than anything else it touched.

The dough then had to rise in a warm place (80-85° recommended) until doubled in bulk. My kithen is nowhere near that temperature, so I put the bowl in a slightly warmed oven. When I checked on it after two hours it had risen tremendously and looked energetic enough to go even higher.
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I didn’t let it, though. I gently coaxed it down, covered its bowl tightly, and put it in the refrigerator overnight.

The next morning it hadn’t risen nearly as much as the first time, which worried me a little, but it had to be shaped while it was still very cold, so I went ahead. It behaved beautifully. This was a completely different animal from yesterday’s sticky mess. I was able to shape it into balls and topknots without using a speck of flour.

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Then they had to rise again, covered, but in such a way that the covering wouldn’t touch the rising dough. Using a lot of glasses and plastic wrap, I built them a sort of greenhouse:

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This time I didn’t let them rise in as warm a place as for the dough’s initial rise, because I’d read somewhere that too high a temperature could cause the butter to start seeping out. As a result, my shaped rolls took 3½ hours to barely double in bulk. Several of the topknots had slipped sideways as they rose (they always do, for me), but as I applied egg glaze to them just before baking, I was able with a careful brush to nudge them back toward the middle.
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final-rise

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My brioches were a little bigger than the recipe anticipates (I have only 8 tins, not 10), so they took more than the indicated 20 minutes to bake. They seemed almost done at 30 minutes, but I kept them in for 10 more, for better browning. In the final oven rising, the topknots slipped sideways again, but not too badly.
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baked

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And so on to the next day’s breakfast – where the brioches were excellent. They had the proper fine, dense crumb and a luscious butter-and-egg richness.

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Are they worth all the trouble? To us, yes: Fresh brioche spread with homemade strawberry jam, alongside a good espresso – that’s a great way to start your day.

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The soufflés I make always start sinking before they even reach the dinner table. It’s irritating, but I’ve gotten used to it. Deflating doesn’t hurt the taste any, only the appearance. I never make them for guests, though – both for the aesthetics and because it’s hard to fit the timing of a soufflé into a dinner-party menu. It’s easier for an everyday dinner for two: the eating can wait for the dish, not vice versa.

Cheese soufflés are what I mostly make, far more often than dessert soufflés. I usually make them with whatever cheeses I have on hand, not just the statutory gruyère. And since I know my soufflés will never sustain a dramatic puff, I never try to extend the height of the mold with a strip of buttered foil. In fact, I often use a larger mold than indicated, to prevent any possible spillovers. Rough and ready, they’re still always good.

mastering-iThe soufflé recipe I use for a guide is the basic one from the first volume of Julia Child’s Mastering. After years of consulting it, I just recently I noticed in that section a recipe for an unmolded one: soufflé démoulé mousseline. Julia says it’s light and delicious, and while it doesn’t rise as high as the standard soufflé, it sinks only a little bit. Well, that sounded good for a change!

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For the past few days we’d been enjoying an interesting cheese called Alex – a Bavarian mountain cow’s milk cheese, related to that region’s emmenthaler, gruyère, and appenzeller. It seemed just the thing for a soufflé, so I coarsely grated a suitable amount of it and sprinkled a little of that all around the inside of a heavily buttered charlotte mold.

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The cooking technique starts in the usual soufflé way: Melt butter, stir in flour, foam together for two minutes. Beat in boiling milk, salt, pepper, and nutmeg; boil for one minute. Off heat, beat in egg yolks.

souffle-1

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A difference here was slightly smaller quantities of butter, milk, and egg yolk than in the usual soufflé of its size. Also, a larger proportion of egg whites: twice as many whites as yolks. My ever-reliable Kitchen Aid mixer whipped them easily, as always.

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I folded the whites into the base mixture, stirred in the grated cheese, and scooped it all into the mold. I set the mold in a large pot and poured in boiling water all around the mold. That’s like the way you treat a baked custard – not at all what you do to a standard soufflé.
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Everything then went into a 350° oven for 1¼ hours – again, very different from the 30+ minutes at 400° that a standard soufflé takes.

While it was baking, I prepared the sauce that was to be served with it. Julia called for a fairly elaborate tomato sauce, which I approximated by gussying up a jar of my plain homemade sauce. I sauteed a little chopped onion, carrot, and celery; added my sauce and a dollop of strong homemade broth; simmered it until it thickened a bit.

The soufflé rose beautifully in the oven, but then came the anxious part. Would it unmold cleanly? Or would it fall to pieces? Julia gives directions for dislodging it onto a plate, with reassurance that it should unmold perfectly. But in case of blemishes, she calmly advises, just pour the tomato sauce over instead of around it, “and decorate with parsley.”

I’m happy to say that my soufflé did unmold properly but – inevitably, because it was mine – it immediately sank to about half its original height. Curses, foiled again!
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Nevertheless: If you didn’t know it wasn’t supposed to look like that, you’d think it was just fine. And so it was: light and spongy, with an enticing smell and a rich, savory taste – a little tangy from the Alex cheese. It liked the tomato sauce very much. Despite deflation, a very successful soufflé.

And it has one more virtue: Before unmolding, this soufflé can sit in its little bathtub, in the turned-off oven with door ajar, for up to half an hour without harm. It’s true: I tried it. So one of these days now I can serve a soufflé to guests.

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