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As I said in last week’s post, Tom and I had carefully chosen restaurants for the three dinners we’d be having in Lyon after our Rhône cruise. We wanted simple brasseries or bouchons devoted to traditional Lyonnaise cuisine. Our selection was somewhat limited by our days’ including a Sunday and a Monday, when many restaurants there are closed. But we did very well with the ones we found.

 

Brasserie Georges

Brasserie Georges, huge, bustling, and immoderately lively, has been an institution in Lyon since 1836. We discovered it on our first visit to the city in 2008 and have ever since remembered the fabulous first course of roasted marrow bones we ate there. So of course we both had them again this time around.

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The menu called the dish Os à moelle à la croque au sel de Guérande, pain grillé. We called it heaven. The prized crunchy sea salt of the Guerande area gave a special zest to the soft, lush marrow as it melted onto the warm toasted bread. But each portion was enormous: We would have been wiser to split a single order instead of gluttonously plowing through the two.

For our second courses, Tom had steak tartare of Charolais beef, expertly prepared at our table with the condiments of his choice and served with a green salad and fried potatoes. I had tête de veau – calf’s head – with ravigote sauce and steamed vegetables. Both were fine of their kind.
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Needing a break from the multiple-course menus we’d been eating on shipboard, we simply stopped there: Georges’ food was very good, but not quite as magical as memory had painted it. Nonetheless contentedly stuffed, we strolled home and finished our evening with cognacs from the bar at our hotel.

 

Le Petit Léon de Lyon

Though it still calls itself a bistro, Léon de Lyon has become a double restaurant: the original establishment, dating from 1904, now features elegant, upscale cuisine, while a small new adjacent space, dubbed Le Petit Léon de Lyon, offers simpler, traditional fare. The little place was perfect for us.

We both started with the house’s pâté en croûte.
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The thick slices of buttery pastry enclosed a filling made from foie gras, veal sweetbreads, and vin jaune, a sherry-like white wine from France’s Jura region. Not so simple at that! It was marvelous, and so filling we could almost have stopped right there.

But we didn’t. For the main course, we’d both ordered Lyon’s signature tripe dish, gras double à la lyonnaise. Here the Petit Léon surprised us: What we received wasn’t the typical version, where the tripe is essentially stewed in onions and wine, but instead was cooked in a sauce with quite a lot of tomato and then gratinéed for serving. Very good, but not what we were expecting.
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The gras double tripe, so different from the honeycomb tripe that is all we get in the US, was melt-in-the-mouth delicious, but so unutterably rich in its sauce that neither of us could finish our portion. The fresh green salad that came alongside made a welcome brisk counterpoint, but it could only help so far. Once again, we didn’t go on to cheese or dessert.

 

Brasserie Le Nord

In addition to the original Michelin three-star Paul Bocuse restaurant just north of Lyon, there are seven less glittering Paul Bocuse restaurants in the city itself, including four brasseries named for the cardinal points of the compass. Each of those has a different culinary emphasis. Le Nord is devoted to “les grands classiques de la Cuisine de Tradition Lyonnaise.” We dined there on our last night in Lyon.

Our meal was indeed classic, in both simplicity and excellence. We both started with fresh foie gras, among the best we’ve ever had.
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Served with it was a cooked condiment made (I was told) from red onion, apple, pineapple, and celery. It was fascinating – sweet but sharp, a wonderful foil for the goose liver’s richness. I’ve since discovered that similar fruit garnishes are very popular now, and I’m going to try making one like this for the foie gras that we brought home from this trip.

Next, Tom had lamb sweetbreads braised in a velvety brown sauce, and I had a leg of Bresse chicken cooked with cream and mushrooms, both very fine.
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Capable at last of going on to a light dessert, we both had dishes of delicious raspberries and strawberries in crème Chantilly. They were immensely refreshing after the richness of Le Nord’s cuisine.
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Every dish we had this evening was as near to perfection of its kind as I can imagine. The meal was a grandly memorable conclusion to our dining in Lyon.

 

Lest I forget: I should also mention that with each of these three dinners we drank remarkable wines, which you can read about soon in Tom’s blog.

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I really like baking breakfast breads. I make several kinds of rolls, muffins, scones, sweet breads, brioches . . . . I’ve even tried my hand at crumpets and bagels. Fortunately, I have a husband who’s an enthusiastic abettor of my efforts and consumer of the results. (He’s also the barista for the espressos that are our daily breakfast beverage.)

In baking I normally follow recipes closely, but when a fancy for cranberry-orange muffins struck me recently, I found many different ways of making them, in books and online, but none that truly appealed to me. So I took off mostly on my own and, happily, succeeded quite well.
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For the dry ingredients I took the proportions from Joy of Cooking’s basic buttermilk muffin recipe, using 2 cups cake flour, 1 teaspoon baking powder, ½ teaspoon baking soda, 2 tablespoons sugar, and ½ teaspoon salt. That huge orange you see in the picture above gave me ⅓ cup of juice, in which I warmed ½ cup of dried cranberries, to soften them. I grated the orange’s peel and stirred the zest into a cup of buttermilk. Separately, I beat an egg and melted 2 tablespoons of butter.
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All the liquid ingredients went into the dried ones with only perfunctory mixing, to avoid activating the gluten in the flour, which toughens the muffin crumb. I had to add a little more flour because what I had at first was too wet: more like a batter than a dough.
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Then, when the texture looked right, I spooned the dough into a buttered 12-cup muffin pan. (BTW, I’ve found that brushing the cups with melted butter rather than rubbing them with solid butter gives more even coverage and better prevents sticking.)
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After 25 minutes in a 400º oven, the muffins were done. A few minutes’ rest in their cups, and out they came, to finish cooling on a rack.
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And very nice they were. Cranberry and orange are always a good flavor combination, and the balance here seemed about right. Next time I might try going a little heavier on the cranberries and simmering them longer in the orange juice, but that would be just to see if it made the muffins even better. Split while still warm, the first ones eagerly accepted slatherings of butter and made for a very pleasant small breakfast.
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The barista, normally not rapturous about cranberries, thought these muffins delicious.

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Individual mozzarella soufflés make a nice, light first course for a dinner: simple, elegant, and delicious. True, all soufflés require special efforts, but these are much less trouble to make than large traditional ones. More of the preparation can be done in advance, assembly is easier, baking time is shorter, and the finished dish is not as fragile and quick to deflate as most soufflés are.

For this recipe, from Tom’s and my book La Tavola Italiana, there are two major considerations: having a lot of egg whites available (the recipe doesn’t use any yolks) and having an electric mixer capable of rapidly whipping the whites to stiffness. Those are easy for me, because (a) I often use more yolks than whites, so I keep a container of extra whites in the freezer, and (b) my heavy-duty Kitchen-Aid mixer whomps egg whites in next to no time.

Of course, the better the quality of the mozzarella you use, the better the soufflés will taste. As always with Italian cooking, the prima materia is crucial.

Are you still with me? I hope I haven’t discouraged anyone. What follows is an account of four of these little soufflés that I made the other day for dinner with my brother- and sister-in-law.

In the afternoon, well before dinnertime, I made up the sauce base. This required melting two tablespoons of butter in a pot, stirring in two tablespoons of flour, and cooking over low heat for two minutes, stirring and not letting the flour brown. Off heat, I dribbled in a cup of heavy cream, vigorously stirring to keep the mixture smooth. Then I returned the pan to low heat just long enough to stir in half a cup of grated parmigiano and eight ounces of diced mozzarella.
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This base sat at the back of the stove, uncovered and requiring no attention, for several hours. Also early in the day I defrosted ¾ cup of egg whites (six eggs’ worth) and buttered four 1½ cup ramekins and set them aside. In the evening, all that was left to do was whip the whites and fold them into the sauce base.
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For ease in getting them into and out of the oven all at once, I set the filled molds in a shallow (empty) baking pan.
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After 20 minutes at 375º the soufflés are normally done, but I think my oven needs adjustment; this time I had to give them 10 more minutes. They never do rise as high as conventional soufflés, so you don’t get airy towers of custard. But as I said above, they don’t sink as fast either, so you don’t have to sprint to get them – and your diners – to the table. Even when they do deflate a bit, they still have a lovely soft, pully texture under the thin, crisp crust. They have both intensity and delicacy of taste and texture that you wouldn’t think mozzarella would provide. In short, they’re a very satisfactory dish, well worth the effort required.
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Last week I wrote about a nearly star-crossed dinner at which several of the dishes were brutti ma buoni – ugly but good. I saved a description of the evening’s dessert for its own post, to celebrate its supreme ugliness. Here it is: my fig and almond crostata, just as it came from the oven.
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Pitiful! The attempt at this dessert came about because, all through February and March, my local markets were getting beautifully ripe black Mission figs from Mexico. After enjoying several out-of-season antipasti of prosciutto and figs, I began thinking of fig desserts. This made Tom very happy, whose passion for figs I’ve already written about in connection with a Dalmatian fig tart, so I wanted to try something new.

I found an interesting looking recipe online for a partially open-faced fig and almond crostata, so I tried a small version – one just big enough to accommodate the number of figs I had on hand. In making it I used a few shortcuts, including a batch of made pastry dough that I had in the freezer, plus a few guestimates on quantities, and was pleased when the crostata came out very well. Leftovers even kept without losing goodness for several days.

Okay! I thought: This is one to remember. Now I’ll make a full-size version for my upcoming dinner party, following the recipe exactly. That should be a really fine cap to the meal.

On the morning of the party, I washed, dried, and sliced two boxes of ripe figs. For the cream filling I ground blanched almonds with sugar in a food processor; added an egg, softened butter, a little flour, vanilla, and salt; and processed again until smooth.

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The day before, I’d made the pastry, carefully shaped it into a flattened round, and chilled it overnight. Annoyingly, when rolled out to the specified size, it didn’t hold its roundness but split into big uneven flaps between deep indentations. I hoped that might not be a problem, since I would be folding and pleating the pastry over the filling anyway, so I went ahead and spread the almond cream in the center.

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The cream filling lay much thicker than it had in my test version, and the figs had to be piled higher too. Maybe for that first one I’d rolled out too large a piece of pastry for the amount of filling? But it was good that way; maybe this will be even better.

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Still hopeful, I folded, tucked, and rounded the crostata and gave the pastry a coating of egg wash before putting it in the oven.
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Well, you saw up at the top how that came out. The filling dribbled through the weaker areas of the crust and made a big mess on the baking pan. (I’d wondered at the beginning why the recipe said to roll, shape, transfer, and bake the crostata on parchment paper. Now I knew.)

There was nothing I could do but chop away the burnt almond cream and try to close over the holes in the crust – which hadn’t browned and firmed as nicely as the earlier version did. This crostata was definitely one of the brutti.
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So ugly was it that I never let the guests see the whole dish. In the kitchen I cut individual portions as neatly as I could and brought them to the table. And they were very good!

Though the crust was softer than I’d have liked, the flavors of fig and almond were in excellent balance, and the quantity of filling seemed just right. The full amount of almond cream would, for me, have unpleasantly dominated the dish. Losing so much of it was a brutti ma buoni blessing in disguise. The passionate fig fancier agreed.

 

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There’s a rough, chunky Italian cookie that’s known as brutti ma buoni – ugly but good. At a dinner party of ours last week, the principal dishes all turned out that way: brutti ma buoni. It was one of those days when everything you touch tries to go wrong, and only luck kept the meal from being a disaster. This was the menu:

Mozzarella in Carozza
Spaghetti all’Amatriciana
Stuffed and Rolled Flank Steak
Sauteed Swiss Chard
Assorted Cheeses
Fig and Almond Crostata

I can’t blame unfamiliarity with these dishes, because I’d made them all before; most were even from Tom’s and my own recipes. Mercifully, Vicky and John, our guests for that evening, are good sports as well as adventurous eaters, so they were unperturbed by the appearance of their plates.

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The first setback was the antipasto, my mozzarella in carozza.

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This should have been a good-looking dish, as well as a delicious one. It’s made with slices of bread and slices of mozzarella, floured, egged, pressed together, and fried in olive oil. I’ve made this successfully for years (even wrote about it here once), but this time the egged bread tried to fall apart, and the mozzarella broke through its supposed-to-be-golden crust. Though it didn’t look at all appetizing, it still tasted much as it ought, and we all ate it happily enough, along with a little sauce of anchovy, butter, and cream.
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The spaghetti all’amatriciana also was from one of my recipes, this one in La Tavola Italiana.

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The only thing wrong with the pasta this evening was that the classic recipe uses bucatini, not spaghetti, and I only discovered that I didn’t have enough bucatini for four when it was too late to run out and buy more. Though very plain-looking, the dish tasted especially good because the tomato sauce was enriched by a particularly flavorful artisan variety of guanciale (air-cured pork jowl) that we’d smuggled in (shh!) from our last trip to Rome.
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But then came the stuffed flank steak: braciolone alla napoletana, yet another recipe from La Tavola Italiana. To get the full effect of this near-disaster requires several illustrations.

The flank steak, butterflied by our butcher

 

The stuffing ingredients: prosciutto ground together with parsley and garlic, plus golden raisins, pine nuts, breadcrumbs, an egg, and grated pecorino romano

 

The flank steak trimmed and spread with the stuffing

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Now, here was the first problem: Which way should I roll that meat? Starting at the short side would have made a great blimp of a cylinder, with many opportunities for the filling to leak out during the cooking. So I rolled from the long side, making a long skinny tube.
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The size of it presented the second problem: Do I have a pot that will hold a 14-inch long roll? It had to be my ancient, rarely used 13-quart Creuset Dutch oven. (I could hardly lift the 21-pound monster out of its place in the bottom of a kitchen cabinet.)

Starting to brown the roll, along with chopped onion, carrot, and celery

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I’d placed the roll in the pot seam-side down, hoping it would seal. Nope! What it did was spread open as far as it could around the strings, as the meat shrank during the cooking. With the stuffing exposed that way, I didn’t dare turn the roll at all for the hour of slow, gentle cooking it would need. So I poured in white wine and diluted tomato paste, covered the pot, and looked in every 15 minutes to baste the meat with the juices and be sure it wasn’t sticking to the pot.

When fully cooked, the roll was definitely brutti.
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Maneuvering the meat out of that deep pot onto a cutting board without its breaking apart was a little tricky but we did it. And despite my fears, when I cut off the strings it stayed intact. In fact, it divided into not-bad-looking thick chunks for serving.

And if I do say so myself, the beef and its stuffing were both delicious: genuinely buoni.
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In retrospect, I can see it was a mistake to spread the stuffing all over the butterflied steak. In previous (forgotten, evidently) cases, I must have mounded the stuffing in the center and closed the meat over it, with enough overlap to ensure the stuffing stayed covered. I’d better annotate my recipe to that effect, to avoid imperiling future dinners.

The cheese tray, requiring no cooking or manipulation, was safely beyond my ability to harm it, but my dessert, the fig and almond tart, was one more barely averted disaster. I’ll save the rest of that story for my next post.

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Last week, for a dinner party to celebrate two recent birthdays, Tom’s and our friend Betty’s, I made a Beef Wellington. I couldn’t even remember when I’d last made one, but Tom, who had a hunger for a big piece of first-rate beef, had requested it and I was happy to indulge him. This pastry-wrapped beef fillet roast is a delicious and impressive dish in the high old classic style that I love, and really not all that difficult to make.

The recipe I’ve always used is one I copied out from someone else’s Gourmet Magazine cookbook – the original version from the 1950s. Over the years I’ve made a few alterations of my own, trying different kinds of pastry crust, omitting bacon slices for the initial roasting, and replacing the recipe’s blithe demand for “3 or 4 truffles” with a layer of mushroom duxelles.

The pastry recipe I like at present, a pâte brisée from Simca’s Cuisine by Simone Beck, uses a whole egg and half a cup of white wine instead of water. It produces a lot of a nicely savory crust, the excess of which can be frozen for future use. I made up a batch a day in advance.

Early the next day I rubbed my two-pound chateaubriand, cut from the thick end of the fillet, with cognac, salt, and pepper. It looked good enough to eat just as it was!

 

It went into a 425° oven for just 15 minutes and then I set it aside to cool while I made the duxelles. I finely chopped a quarter-pound of mushrooms, ferociously twisted small handfuls of them in a cloth to squeeze out their water, and sautéed them in butter and oil along with a little minced shallot. Some recipes say you don’t have to do the squeezing – the liquid will evaporate if you cook the mushrooms long enough. OK, but I think the results are better with the shorter sauté. Also, the squeezing is kind of fun – it’s amazing how much water comes out of apparently dry mushrooms.
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Now all was ready to assemble the dish. I rolled out a big sheet of dough and, on the area where the beef would lie, spread a thick layer of duck liver mousse. (That was purchased, not homemade, and I chose it as a middle ground between the recipe’s options of foie gras and chicken liver pâté.)
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I set the meat on the mousse and spread the duxelles over the top.
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I wrapped the dough snugly around the meat and its accompaniments, trimmed off the excess, and sealed the seams with beaten egg.
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I turned the loaf seam-side-down and moved it to a baking sheet, where I gave the whole thing a brushing with the egg. Then for fun, I cut flower shapes from the leftover dough, lined them up along the loaf, and brushed them with egg too. They were a little silly looking, but they gave it a festive air.
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By then it was still only mid-afternoon, so I refrigerated the pastry until evening. The recipe called for baking it 30 minutes at 425°, but since mine had been cold, it took a little longer. It came out looking very cute, sort of like a cross between a loaf of country bread and a child’s decorated football, with an aroma that carried a promise of great things.
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And it delivered on the promise. When sliced into, the pastry crumbled a bit, but the beef was rare to perfection – absolutely gorgeous. It simply melted in the mouth, moist with beef sweetness, and the accompanying flavors of mousse and duxelles enhanced every bite of the savory crust they’d annealed to. Duchesse potatoes and sauteed spinach – the latter dotted with pignoli and raisins – played excellent supporting roles on the plates.
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This was a properly festive dish for the two birthday people, and it matched beautifully with the 1982 Chateau Montrose St. Estèphe that Beloved Spouse had chosen to pair with it. Need I say we all thoroughly enjoyed the celebratory meal?

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I’m an inveterate list-maker. Besides shopping lists and to-do lists, I keep lists of foods in the freezer and bottles in the wine closet. For dinner parties I list the timing of every step in the final cooking and serving. And tucked into many of my cookbooks are lists of recipes I want to try some day. The day just came for one of those.

Today’s dish is from my list for Raymond Oliver’s La Cuisine: gratineed ham crêpes. The filling sounded tasty, the creamy sauce was made with an unusual technique, and the final gratin was also unusual. His separate recipe for making the crêpes themselves didn’t attract me, but I could work with the Julia Child crêpe recipe I’ve always relied on. So on to the attempt.

One day in advance, I put together the crêpe batter – mixing flour, salt, milk, water, eggs, and melted butter in my old blender. Crêpes are about the only things I still use a blender for: I’ve found that the food processor can leave lumps. The batter needs at least two hours of chilling, but it’s perfectly happy to sit in the refrigerator overnight.

Next day, feeling quite professional, I assembled my batterie de cuisine on top of the stove: two crêpe pans, a little dish of oil and a brush to grease them with, a plate to receive the cooked crêpes, the blender jar of batter, a quarter-cup measure to dip it out with, and a little bowl to hold the wet cup. All was set up for fast, efficient cooking of two crêpes at a time.
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Pride goeth before a fall! It had been too long since I’d last used those crêpe pans. They’d lost their seasoning, so when I poured in the first batter it instantly cemented itself to the pans, even though I’d greased them. It had to be scraped off in bits – which didn’t do the pans any good.
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Chastened, I selected the less-bad-looking pan, scrubbed it with salt, oil, and paper towels, re-seasoned it as well as I could at the moment, and resumed cooking my crêpes – slowly and carefully, with just the one pan. They gave no further trouble, thank goodness.
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That taken care of, I could go on to make the sauce, while Tom minced half a cup of good smoked ham, shredded half a cup of gruyère, and beat an egg yolk with two tablespoons of heavy cream.
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The sauce started as essentially a bechamel, but made differently from the way I’m familiar with. First, I had to brown the mixture of butter and flour, rather than letting it foam along without browning. Then the milk to be added had to be lukewarm, not boiling. Third, after additions of nutmeg and cayenne it had to cook for 10 minutes, which is a longer time than I’m used to, before being enriched with the egg yolk-cream mixture.
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I set part of the sauce aside for topping the filled crêpes and mixed all the ham and most of the gruyère into the rest of the sauce. I remembered to lay out the crêpes ugly side up, so when rolled they’d show their better sides. It seemed like very little filling.
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I laid the rolled crêpes in a buttered baking dish and topped them with the remaining sauce, thinned out a little with cream, the rest of the grated gruyère, dots of butter, and – what for me was another unusual feature – fine dry bread crumbs.
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The dish baked for 15 minutes at 400°. It came out looking quite nice, except that the butter had made little puddles rather than spreading out. I guess my dots were too big. No harm, though.
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The crêpes were excellent. Richly flavorful, despite the modest amount of filling; though Tom would have liked a stronger ham presence. The texture of the dish was one of its best features: soft in the center but pleasantly crunchy on top from the breadcrumb gratin. I may adopt that gratin for when I make other kinds of crêpes – which I must do soon. Gotta keep those pans seasoned!
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